ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closiynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.详情
主演：汉娜·许古拉,克劳斯·洛维奇,伊凡·德斯尼,吉塞拉·乌尔伦,伊丽莎白·特里斯纳,高夫莱德·约翰,哈克·波姆,克劳斯·霍尔姆,古特·拉姆普雷切特,莉萝·潘蓓,福尔克·施彭勒,伊索尔德·巴尔特,君特·考夫曼,迈克尔·包豪斯,芭芭拉·包姆 ,彼得·贝尔林,赖纳·维尔纳·法斯宾德,Bruce Low,Karl-Heinz von Hassel,Kristine de Loup,Hannes Kaetner,Rolf Bührmann,Norbert Scherer
我喜欢看剧情片。《巴伐利亚打猎即景》这部剧情片给我的感觉有两点。ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
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巴伐利亚打猎即景影片的精彩影评
我喜欢看剧情片。《巴伐利亚打猎即景》这部剧情片给我的感觉有两点。ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.