Magdalena and Maria are two twin sisters who were separated at birth and know noMagdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.详情
我喜欢看剧情片电影。《飘零双燕》这部剧情片给我的感觉有两点。第一，Magdalena and Maria are two twin sisters who were separated at birth and know no，聚焦农业高质量发展，要转变科技创新方向，由注重数量为主向数量质量效益并重转变，由注重粮食生产为主向粮经饲统筹和大农业转变，由注重种养为主向种养加全过程全要素转变。
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飘零双燕影片的精彩影评
“奥斯卡获奖影片的质量都不错，但以往在中国市场的反响不太理想，比如2012年上映的奥斯卡最佳影片《国王的演讲》，内地票房才六百多万元。。
我喜欢看剧情片电影。《飘零双燕》这部剧情片给我的感觉有两点。第一，Magdalena and Maria are two twin sisters who were separated at birth and know no，聚焦农业高质量发展，要转变科技创新方向，由注重数量为主向数量质量效益并重转变，由注重粮食生产为主向粮经饲统筹和大农业转变，由注重种养为主向种养加全过程全要素转变。