欧洲的某个地方

评分：

0.0很差

分类：剧情片地区：其它年份：1948

主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki

导演：Radványi Géza

更新：2024-03-15

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the street

立即播放打赏

排序

播放地址

暴风快播F

HD中字

欧洲的某个地方剧情简介

欧洲的某个地方视频本站于2024-03-15 09:03:09收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。

关键词：欧洲的某个地方 thewarends.Inthemidstofruinedcitiesandhousesinthestreets inruralhamlets everywherewherepeopl

Somewhere in the remote region, the war ends. In the midst of ruined cities and Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.详情

常见问题

1、请问哪个平台可以免费在线观看《欧洲的某个地方》?

曲折离奇电影网网友：在线观看地址：http://http://www.qzlqhhmm.com//vodplay/22108-1-1.html

2、《欧洲的某个地方》哪些演员主演的？

网友：主演有Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

3、《欧洲的某个地方》的评价：

它讲述立志成为作曲家的主人公七海春歌与多位立志成为偶像的男孩们一起追逐音乐梦想的成长故事。

欧洲的某个地方影片的精彩影评

750KBS15分钟前
雷欢喜养了一条龙，恩，货真价实的一条龙，地球上最后的一条龙。于是雷欢喜的生活就被彻底改变了。他能种出比蟠桃还要甜美的桃子，能在自家的水塘里养出真正的频临绝种的野生大黄鱼。你要千年人参？等一晚上就有，真正的千年人参。你要海马等着急用？等着，欢喜哥这就到游泳池里给你养去，一！
矢口史靖30分钟前
这既是机构改革自然带来的结果，也是退役军人事务部主动为之。。
曲折离奇电影网网友40分钟前
传说，唯美爱情，华丽史诗，神秘世界，一首玄幻征战的宇宙之歌，唱响多维空间。空山灵雨的节奏、叹息的风、闲逸飘悠、无拘无束、飙高震荡、峰回路转里的韵之动。大道，哲道，武道，破道，且看是谁成为忧伤霸主，拾起宇宙链子。是谁成为绝代逍遥王？潇洒一世之上！天道任行，不世出，千古风流人物。天马行空！磅礡气势！钜力万钧！(随心所欲之情笔，《玄幻情书之天马行空四部曲》适合瀟洒之人)。
埃德加赖特55分钟前
“我看见过好几次，里边挤满人，车也没有牌照。。
750KBS58分钟前
运用好自由裁量权。
温白水1个小时前
20天后，在爱心妈妈们接力“喂养”下，小江的身体奇迹般恢复了。。
铭辉3个小时前
资料图：鲁能球员在比赛中。。
浑然一色1天前
它讲述立志成为作曲家的主人公七海春歌与多位立志成为偶像的男孩们一起追逐音乐梦想的成长故事。！
言小丸3天前
雷欢喜养了一条龙，恩，货真价实的一条龙，地球上最后的一条龙。于是雷欢喜的生活就被彻底改变了。他能种出比蟠桃还要甜美的桃子，能在自家的水塘里养出真正的频临绝种的野生大黄鱼。你要千年人参？等一晚上就有，真正的千年人参。你要海马等着急用？等着，欢喜哥这就到游泳池里给你养去，一。
我喜欢看剧情片电影。《欧洲的某个地方》这部剧情片给我的感觉有两点。第一，Somewhere in the remote region, the war ends. In the midst of ruined cities and ，雷欢喜养了一条龙，恩，货真价实的一条龙，地球上最后的一条龙。于是雷欢喜的生活就被彻底改变了。他能种出比蟠桃还要甜美的桃子，能在自家的水塘里养出真正的频临绝种的野生大黄鱼。你要千年人参？等一晚上就有，真正的千年人参。你要海马等着急用？等着，欢喜哥这就到游泳池里给你养去，一