欧洲的某个地方

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分类：剧情片地区：其它年份：1948

主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki

导演：Radványi Géza

更新：2024-03-15

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the street

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欧洲的某个地方剧情简介

欧洲的某个地方视频本站于2024-03-15 09:03:09收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。

关键词：欧洲的某个地方 thewarends.Inthemidstofruinedcitiesandhousesinthestreets inruralhamlets everywherewherepeopl

Somewhere in the remote region, the war ends. In the midst of ruined cities and Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.详情

常见问题

1、请问哪个平台可以免费在线观看《欧洲的某个地方》?

曲折离奇电影网网友：在线观看地址：http://http://www.qzlqhhmm.com//vodplay/22108-1-1.html

2、《欧洲的某个地方》哪些演员主演的？

网友：主演有Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

3、《欧洲的某个地方》的评价：

5G人才需求在不同性质的企业分布：私企最高

欧洲的某个地方影片的精彩影评

杰拉德布什15分钟前
,不是非要身份证.复印件就可以.长春环境好KTV附带有打印机.可直接打印.长春KTV生意已经做到极致.因为长春夜场圈子任何一个人都知道.配合上这里生意每天爆满.无！
月月萌30分钟前
贵州黔西南州消防救援支队供图。
曲折离奇电影网网友40分钟前
我是一名佣兵，我的名字叫艾雷恩，我为第纳尔拔剑，也为伸张正义而战。。
黑岛菜55分钟前
相反，朝鲜则因经济困难，在承诺以核查宁边核设施为代价的基础上，希望美国松绑对其制裁。。
杰拉德布什58分钟前
1992年，李学勤先生提出了“走出疑古时代”的口号，围绕这个口号，他提出“重新估价中国古代文明”、“对古书的第二次反思”、“重写学术史”等相关命题，使得“走出疑古”成为了一种思潮，在学术界产生了重要的影响。。
张耀升1个小时前
这些年，他所在总队官兵达成共识：心中没有敌情，防“狼”的心弦就会放松；眼里没有对手，打“狼”的能力就会变弱。。
白发长眉3个小时前
2018年，奈飞在原创内容上的预算超过了80亿美元，计划上线80部电影，超过了好莱坞五大制片数的总和。。
王里予1天前
5G人才需求在不同性质的企业分布：私企最高！
杜醒3天前
,不是非要身份证.复印件就可以.长春环境好KTV附带有打印机.可直接打印.长春KTV生意已经做到极致.因为长春夜场圈子任何一个人都知道.配合上这里生意每天爆满.无。
我喜欢看剧情片电影。《欧洲的某个地方》这部剧情片给我的感觉有两点。第一，Somewhere in the remote region, the war ends. In the midst of ruined cities and ，,不是非要身份证.复印件就可以.长春环境好KTV附带有打印机.可直接打印.长春KTV生意已经做到极致.因为长春夜场圈子任何一个人都知道.配合上这里生意每天爆满.无