The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.详情
我喜欢看剧情片电影。《没有和解》这部剧情片给我的感觉有两点。第一，The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965，无奈之下民警让鸭子自行找家，去谁家，鸭子就归谁，由于这其中有人作弊调解失败。
常见问题
没有和解影片的精彩影评
“建行湖南省分行积极贯彻落实中央要求，多措并举防控金融风险，取得了显著成效。。
我喜欢看剧情片电影。《没有和解》这部剧情片给我的感觉有两点。第一，The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965，无奈之下民警让鸭子自行找家，去谁家，鸭子就归谁，由于这其中有人作弊调解失败。