“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.详情
我喜欢看剧情片电影。《红花之歌》这部剧情片给我的感觉有两点。第一，“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an，一个骑着青牛，牛角挂剑的少年郎，瞧不起修武要修道；一个骑着灵熊，红裳白蝶面具的少女，轮回百转；一个带着侍女的白衣公子哥，叹这凡人不如狗，潇洒东去；有一执剑老头，名震北海；有一帝斋君子，心负仇恨；有一不凡青年，向往平凡日……修武为凡人，两百寿辰已是极限矣；修道寻长生，千百岁月弹指过。前者为凡，后者为仙。却有一瞧不起修武，偏爱修道的少年郎，一人一剑，从凡尘中走出，要将这仙凡刺一串儿
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所有功能空间的固定面全部铺装或粉刷完成，给水排水、供暖、通风和空调、燃气、照明供电等系统基本安装到位，厨房和卫生间的基本设备全部安装完毕，达到基本使用标准。。
我喜欢看剧情片电影。《红花之歌》这部剧情片给我的感觉有两点。第一，“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent an，一个骑着青牛，牛角挂剑的少年郎，瞧不起修武要修道；一个骑着灵熊，红裳白蝶面具的少女，轮回百转；一个带着侍女的白衣公子哥，叹这凡人不如狗，潇洒东去；有一执剑老头，名震北海；有一帝斋君子，心负仇恨；有一不凡青年，向往平凡日……修武为凡人，两百寿辰已是极限矣；修道寻长生，千百岁月弹指过。前者为凡，后者为仙。却有一瞧不起修武，偏爱修道的少年郎，一人一剑，从凡尘中走出，要将这仙凡刺一串儿